My Amps

I don't collect Amps but use them as tools. The only collectible Amp I have is a 1979 vintage Rickenback Amp which is nice to pair with my vintage Rickenbackers in the same era. (Sold)

 

Koch Twintone 1x12 combo.
 
  • Bright Clean and Normal inputs
  • 50 watts at 8 or 4 ohms
  • 2 channel preamp, footswitch selectable
  • Classic clean channel
  • Post EQ overdrive channel
  • Dual-Drive control
  • Four 12ax7 preamp and two EL34 power amp tubes
  • Buffered effects loop DC coupled, serial signal level -10dBV
  • Solo/rhythm volume, footswitch selectable
  • Auto power soak
  • Headphones & recording outputs
  • Speaker simulating filter, passive 12dB/oct.
  • Accutronics classic model reverb
  • One 12" Koch VG12-90 speaker
  • 2 speaker outputs, switchable 4 or 8 ohms
  • 2-way footswitch included with LEDs
  • Dimensions (inches) combo: 19.5w x 18.5h x 11d
  • Weight Combo: 50 lbs
 
POWER AMP:
Two EL34´s in combination with a high quality output transformer build to vintage specs, provides an excellent sounding classic power station.
 
CLEAN CHANNEL:
This is "classic" channel, standard in all models, it´s warm, sparkling and full of tone combined with a superior headroom. It´s the channel where it all starts.
 
POST-EQ OVERDRIVE / HIGH GAIN CHANNEL
This amazingly flexible channel allows you to create tones ranging from compressed clean, to raw crunch and even to mega-distortion. The specially designed 'Dual-Drive' control provides this enormous range of tones by controling the gain of two preamp stages simultaneously. Accurate voicing in the preamp stages in combination withclassic post-distortion tone control enables this channel to produce the right sound in every gain setting.
 
SERIAL EFFECTS LOOP
This loop, including buffered in- and outputs, operates at -10dBV signal level and therefore allowing you to use any effect unit you want, from an antique stomp box to a professional 19 inch rack unit.
 
HEADPHONE AND RECORDING OUTPUTS
Special designed speaker-simulating filters ensure that the sound is identical to the sound coming from the speaker.
 
AUTO POWER-SOAK
This built-in 50W speaker replacer is at your disposal 24 hours a day. Even in the middle of the night it allows you to play the solo you have just been dreaming of with full tube-power without waking up anyone. Just pull the speaker plug (the power soak now connects automatically) and the amp can be driven at full power without any danger of damaging vital parts. You can also use the power-soak as a "second" speaker and reduce the power to 25W.
 
SPRING REVERB
 
 

  

Fender 2006 G-Dec 30 w/ Footswitch

This is a great jamming machine.  I started with the G-Dec 15 then upgraded to this one as G-Dec 30 comes with a footswitch.

Hartke 2006 A70 (hooked up with Boss DR880)

Fender G-Dec is great for praticing and jamming but does not have the deep bass sound. The guitar does not sound too good either. The Boss DR880 hooked up with this bass Amp sounds like a real band. Guitar does not sound too bad with the Boss DR880 built in effect. Or I can use my tube Amp for guitar and this bass Amp for background.

 

Vox 2005 AD30VT

Pignose '80 Portable Amp

A nice travel Amp which I bring with me on vacation.

Boss 2006 DR880 w/ Footswitch

This is like playing with a real band. The footswitch (stop & start) is very useful.

 

Rythem Matic II ('70 still working great)

Pocket Rockit (Portable amp I used to test out guitars)

You will be amazed with many people tried to sell you electric guitars but did not have a Amp for you to test.  So I bring my own little tester.

 2006 Fender Twin Reverb

 

 

Sold Amps

 Crate 1990's TD-50C

Crate 2006 Bass BX25

 Fender 2003 '59 RI Bassman

Fender 2006 '62 RI Twin Reverb

Rickenbacker 1979 Vintage TR25 

 

 

Line 6 2001? AX2 212 Amps w/ Footswitch

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 Fender 1994 Super Amp Pro Tube w/ Footswitch

 

 

 

 

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